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Pro spinning tips on color management

what we do, how toSasha TorresComment
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How would you plan this spin?


Hello, spinning friends! Do you look at a braid of boldly-painted top and immediately think of the dozen or so ways you could spin it, based on color management alone?

Not so much?

Well, I do, and I want you to be able to do so, too. That's why in the next few newsletters, I'll be highlighting some of my favorite theories, tips and resources on the topic of managing color in spinning. From face-palm simple to downright deliberate, there's a color-management trick or tool here to grab your interest.

First, a few tips culled from Jillian Moreno's Interweave video, "12 Ways to Spin Handpainted Top," perfect for those who enjoy bold color but prefer to spend their time spinning, rather than prepping fiber:

  • Color always appears brighter and bolder when spun at a thicker weight yarn.
  • Altering the outcome of your yarn is as simple as changing the order of the color repeats and/or the way you split the braid itself. Keep it intact or nearly so, by splitting it down the middle once for long color repeats, or rip it into thin strips for shorter runs of color (and anything in between). Try a fractal split, leaving one half of the fiber as is and then stripping the other half into shorter bursts of color runs, for the best of both worlds. 
  • There's no reason to abide by a dyer's color inspiration if it doesn't strike your fancy. Don't love a color in your braid? Pull it right out of the fiber bump and spin away.
  • Try tearing half of a braid into small chunks and spinning this bobbin against half you leave as is. Or, try "chunking" the entire bump of fiber itself and then spinning it randomly.

For a more thorough look at Jillian's love for spinning colored tops in different ways, there's more in her great book, Yarnitecture.

Speaking of books, Deb Menz's Color in Spinning is my go-to source for all things on color. Meticulous and yet relatable, Deb has been creating and spinning the blends and handspuns we now consider to be "on point," notably blended rovings and tops and even purposeful handspun that fades in intensity, and she's been doing so for more than three decades. Her optical blending process begins with the dyeing and goes through the careful pre-drafting of her fibers (if you've never been a fan of pre-drafting, this book will make you want to try it Deb's way), but her lessons are applicable to any spinner who wishes to better manage the way we see colors in our spinning projects.

You need this book. No spinner's library is complete without it.

If spinning is your zen, then time spent with Judith MacKenzie McCuin (even if she's in digital format) is nothing short of therapeutic (Franklin Habit once called her "the bodhisattva of spinning"). Judith still believes in putting in the effort to spin that "perfect yarn" for a project, and she gets there through employing the use of practical spinning theory--heavily influenced by 20th Century Swiss expressionist painter Johannes Itten. Watching her and hearing her soothing voice throughout her Spinner's Color Toolbox video never gets old . . . . If you've longed to take a class with a true Spinning Legend, this video is the next best thing.

And finally . . . how could we talk about spinning and color without mentioning Felicia Lo, founder and creative director of Sweet Georgia Yarns. If Deb Menz teaches us how to optically mix colors by being mindful on the front end of our spinning, then Felicia is our guide to managing optical mixing through spinning. Her book, Dyeing to Spin and Knit, is full of brilliant photos and talks about every topic from marling to barber-poling, even down to the nuances of taking control of color transitions. It's all in there, which means that no spinner never need fear a colorful bump of fiber again.
Hallelujah.

Above all, experiment. Use a few of your most colorful fiber bumps for the sole purpose of understanding some of these theories and practices, and make sure to keep a detailed notebook of yarn samples and knitted swatches for future reference.

Goodbye to yarn

behind the scenes, what we doSasha TorresComment
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Have you ever noticed that the really important conversations are the ones we most often put off having?

This is one of those conversations, but here goes: as of the end of this month (September 30, to be exact) Sheepspot will no longer be dyeing and selling yarn online. Instead, we’ll be focusing 100% of our energies on providing our spinning customers with beautiful fibers and the information and support they need to make beautiful yarns with them.

I know this decision may be disappointing to those of you who don’t spin, and who have enjoyed knitting with Sheepspot yarns, so I want to be transparent with you about how I got here

When I first started Sheepspot in 2014, I really thought I was creating a yarn company. I wanted to give knitters who didn’t spin access to some of the wonderful wools I had discovered as a handspinner. And I was genuinely excited about sourcing wool and working with mills to realize my yarn-making ambitions at a bigger scale. 

I wasn’t prepared, though, for how travel-intensive and physically exhausting sourcing wool would be. Or how long it would take to see that wool turned into yarn. Or how unpredictable the results could be. (Remember the Ile de France Aran? Argh. It was so lumpy and unevenly twisted I couldn't sell it.) Or what all of the above would mean for Sheepspot’s cash flow. 

And along the way, something else happened. I started dyeing fiber. And I discovered how much I loved it. Because I am, at my core, a spinner. And, in my heart of hearts, I want to serve other spinners

Maybe that’s why I’ve always sold much more fiber than yarn. At any rate, I’m following my biz coach Tara Swiger’s advice: do more of what works

And crucially, not just what works in a what’s-best-financially way, but what works in a follow-my-heart way

Enough about me. Here’s what this means for you:

  • If you’re a knitter, September 30 will be the last day you can buy Sheepspot yarns online. Until then, and while supplies last, all yarns will be deeply discounted. Any unsold yarns will be available for purchase (again, at discounted prices) in person at festivals only. 
  • If you’re a spinner, stick with me, kid! Going forward, I’ve got even more delicious wools for us to sample and enjoy together. More preparations (including batts and more dyed locks). More videos. More learning. More spinning. 

I’m so excited about Sheepspot’s future. Here’s to growing forward. 

Sasha

PS: Starting this fall, I’ll be opening the Sheepspot Studio for live, in-person spinning events and classes. If you live anywhere near London, Ontario, head over to www.sheepspotstudio.com to learn more about what I have planned!